October 24-26; 30, 31 and November 1; 7-8
Cast:
Jeykll - Matthew Arnold
Emma - Katie Nuss
John Utterson - Eddie Franklin
Lucy - Nicole Smithson
Lady Beaconsfield - Kathy Rapkin
Sir Danvers Carew - Bob Green
Bishop of Basingstroke - Edward Conley
Lord Glossop - Jeff Rapkin
Archibald Proops - Jeff Shull
Lord Savage - Chip Etchison
Simon Stride - Adam Brandner
Nellie Ruth - Ann Berkey
Spider - Joe Skeen
Newsboy - Neil Reinke
Minister - Tom Steiner
Ensemble:
Melissa Franklin
James Newell
Lisa Wade
Bethany Hosbach
Emma Smith
Julia St. John
Artistic Staff:
Director - Fred Reese
Musical Director - Bohuslav Rattay
Assistant Musical Director - Matthew Hooper
Artistic Producers - Marty Grubbs & Robby Tompkins
Set Designers - David Phillips, Robby Tompkins, & Dave Sherrill
Lighting Designer - Robby Tompkins
Sound Designer - Matt Erwin
Costume Designer - Collin Northcutt-Mountbatton
Makeup Designer - Tonikia Steans
Stage Manager - Bonnie Jordan
Assistant Stage Manager - Robin Kildall
Rehearsal Pianist - Yun ae Ok
Master Carpenters - Matt Swartz, Don Lacey and Family, Mike Shaker
Run Crew - Ashley Dean, Karen Smith, & Jordan Kain
Publicity & Marketing - Robby Tompkins & Blair Bowden
Orchestra
Violin 1 - Paul Marquissee
Violin 2 - Allison Perry
Cello - Stacy Clark
Piano - Yun ae Ok
Bass - Jenny Wood
Flute / Alto Flute - Jason Sloan
French Horn - Matt Weidner / Danny Boedecker
Oboe - Katie Garringer
Clarinet - Brian Steffanelli
Percussion - Steve Myers
Description:
An evocative tale of the epic battle between good and evil, Jekyll & Hyde is based on Robert Louis Stevenson's classic story about a brilliant doctor whose experiments with human personality create an evil and murderous counterpart. Convinced the cure for his father's mental illness lies in the separation of Man's evil nature from his good, Dr. Henry Jekyll unwittingly unleashes his own dark side, wreaking havoc in the streets of late 19th-century London as the savage, maniacal Edward Hyde. Jekyll & Hyde is pure, pulse-pounding theatre, with a lush, romantic pop score hailed as a modern classic even before the show began its smash-hit Broadway run.